light ended between two oak trunks a breath caught
sharply drawn because I can’t speak can’t say the bird
over there with beak like knife like tongue is
broken cannot fly I call out in song and blade
I resent the ground this bird this one is you and your arms are
bent the wrong way and I did that to you and you
are lying on your back and the city sinks like shoulders under water
under the faucet and can the heat of you undo the knots in my back
in my shoulders I am twisted I am bent the wrong way and
the night is full of hands clasped palm to palm holding
the light of eyes of flight of lampposts holding on because
I do not want to fly anymore to release to open my fingers
to end
Day One: Reflections from Cell #4505
And the light shone in through the light, through the negative, and the sprockets could not keep pace. They tore themselves in all directions, limbs of suicidal silver nitrate turning them- selves into whispers of reflective hair bounding itself into ropes and cords, in chains, that hair. And from the acid it emerged, not revealed, but completely blank, so that not only was the current picture removed, but all traces within the mind of the event, of the day, of the moment, obliterated. It was a snake, and eventually it tore itself free from the bath of my own self resignation, my own complacency with the past, and began to crawl forward. Image after image, no longer images, but notes of condemnation branded in by the reflective light of Mars. I slowly crept backwards, but the film, the light and light, kept moving forward, this time, with almost military skill and precision. I grabbed it by the throat, and the blood rushed.